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''Sin After Sin'' is the third studio album by English heavy metal group Judas Priest, released in 1977. It was remastered in 2001 with two bonus tracks added. The album represented several major milestones in the group's career; the band made their major label debut and were able to work with a famous musical artist as their producer, former Deep Purple member Roger Glover. The band also fully embraced an aggressive metal sound with this release, significantly toning down the arena rock and blues rock influences shown in their past work, and the group achieved widespread popularity on the radio stations for their first time, oddly enough with their hard-edged version of Joan Baez's song "Diamonds & Rust". ==Overview== Despite a growing fanbase in the UK and strong critical reception of second album ''Sad Wings of Destiny'', Judas Priest were unable to obtain any proper financial support from the small Gull Records label. The band members were forced to work part-time jobs or live off government welfare – and considered at one point calling it quits if things failed to work out. Friends and acquaintances convinced them that they would never make a decent living or achieve international popularity without signing to a major label, a suggestion that was quickly taken up. Judas Priest signed a deal with CBS Records in late 1976, a move that was seen as “a great breath of fresh air” even though their divorce from Gull Records happened under somewhat acrimonious terms (the band lost the publishing rights to their first two albums, plus all demo material recorded with Gull). CBS immediately realized the need for a professional music producer on Judas Priest’s next album, so they hired Deep Purple bassist Roger Glover, who already had some experience with producing records; however, things did not work out well at first as Glover recalled that the band merely dismissed all of his suggestions out of hand. Concluding that they really wanted to produce the album themselves, he quit the project. Then, “A few weeks later, I get a phone call and it’s about (Priest ). They’d just fired their drummer and were unable to get anything done and needed help.” Glover then returned to the studio, and with his help, the band managed to get the album recorded in one week. During the recording sessions for ''Sin After Sin'', drummer Alan Moore left. Although the band has never discussed the exact circumstances of his departure, Roger Glover’s above remarks indicate that he was fired for likely the same reason as Judas Priest’s first drummer John Hinch, i.e. being an inadequate player for their material. Instead, nineteen-year-old Simon Phillips was brought in to drum on the album. However, as Phillips had commitments to another band, he declined to join Judas Priest as a permanent member, and so for the album tour, they hired Fancy drummer Les Binks, an acquaintance of Roger Glover, as Binks was able to play double bass, and was one of the few drummers who could replicate Phillips’ sound live. The album includes a cover of Joan Baez’s “Diamonds & Rust”, a decision which was encouraged by producer Roger Glover in the interest of adding a more commercial track. It was the first song by Judas Priest to get any radio play, and Baez herself reportedly enjoyed the cover. This was the band’s second attempt to cover the track, and the earlier version from the Gull Records era was only released later on compilations and as a bonus track on reissues of ''Rocka Rolla''. Judas Priest embarked on their first-ever tour of the US for this album, where they supported REO Speedwagon and Foreigner. Judas Priest also opened for Led Zeppelin on two dates in Oakland, the Day on the Green festival, and opened the 1977 Superjam, headlined by REO Speedwagon and Ted Nugent, at Busch Memorial Stadium in St Louis before an audience of 45,000〔()〕 The progressive rock influences from the previous two albums were toned down on this album; however, there are still notable moments of it, notably in the multi-sectioned “Sinner” and “Let Us Prey/Call for the Priest”, the complex lyrics, and in the Gothic ballads “Last Rose of Summer” and “Here Come the Tears”. These influences would further dissipate in their next album ''Stained Class'' before being completely abandoned afterward. As the band continued to develop their sound and playing techniques, ''Sin After Sin'' displayed elements of proto-thrash metal on “Let Us Prey/Call For The Priest” and “Dissident Aggressor”, both vying for the heaviest songs released up to that point. Of the eight tracks on ''Sin After Sin'', only “Sinner” became a concert staple (K.K. Downing described it as one of his favourite songs), along with "Diamonds & Rust", and both were regularly played live until the Turbo Fuel for Life Tour in 1986 when all pre-''Killing Machine'' songs were dropped from the setlist ("Victim of Changes" made a return in place of “Hot for Love” or "Desert Plains" on some legs of that tour). “Sinner” was revived during the Ram It Down Mercenaries of Metal Tour two years later before disappearing again until the 2008 Nostradamus 2008/2009 World Tour. “Starbreaker” was not played from 1980 until the 2011-12 Epitaph World Tour. “Raw Deal” was performed only twice during 1977,〔(‘Raw Deal’ Live performance statisitcs )〕 “Let Us Prey/Call For The Priest” only six times in 1977 and January 1978,〔(‘Let Us Prey/Call For The Priest’ live performance statistics )〕 and “Dissident Aggressor” was not played after this until 2008, from when became a regular part of the setlist there and on the Epitaph Tour. “Here Comes The Tears” and “Last Rose Of Summer” have never been performed live according to available sources, although documentation of the earlier Priest tour setlists is very poor. ''Sin After Sin'' proved a minor hit, reaching number 23 on the UK Albums Chart,. It is also the earliest of eleven consecutive Judas Priest albums to be certified gold or more by the RIAA. The faster, more technical playing on the album versus established bands like Led Zeppelin and Black Sabbath made Judas Priest well positioned to compete with the mushrooming punk rock movement in their home country. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Sin After Sin」の詳細全文を読む スポンサード リンク
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